HOUSEOFJOY

HOUSEOFJOY  - The Band Without Blessings, Nobody’s Waiting for Them to Go First Ever heard a song from an indie band that feels like your own life? Lyrics that cut deep not overdramatic, just real. A melody that’s not just catchy but hits you in the chest. Production that’s not rushed, but layered with soul and breath in every sound. And yet somehow… the song feels like it was born just to be ignored. No one shares it. It doesn’t land on playlists. It never shows up on those “advanced” TikTok algorithms. But behind that song, there’s blood. There’s a story. Sometimes even a life that was nearly lost to the pressure. And this isn’t fiction. This is a true story. It’s the story of an Indonesian band called HOUSEOFJOY and a man named Dymaz Redric , who chose to live with his music, rather than die slowly being consumed by the system. From a Circle of 20 to Deafening Silence HOUSEOFJOY didn’t start as a small band. They once had a big circle: friends to hang out with, a...

HOUSEOFJOY - Band Tanpa Restu, Gak Ada yang Nunggu Mereka Jalan Duluan Pernah nemu lagu dari band indie yang rasanya kayak hidup lo sendiri? Yang liriknya nusuk gak lebay, tapi ngena. Nadanya bukan cuma catchy, tapi kayak nyangkut di dada. Produksinya bukan asal jadi, tapi ada ruh, ada napas di setiap layer-nya. Tapi anehnya... lagu itu kayak dilahirin cuma buat lewat. Gak ada yang share. Gak nongol di playlist. Gak muncul di algoritma TikTok yang katanya canggih. Padahal, di balik lagu itu ada darah, ada cerita. Kadang, bahkan ada nyawa yang sempat nyaris ilang karena tekanan. Dan ini bukan cerita fiksi. Ini kisah nyata. Ini cerita tentang sebuah band Indonesia bernama HOUSEOFJOY dan seorang manusia bernama Dymaz Redric, yang lebih milih hidup bareng musiknya daripada mati pelan-pelan ditelan sistem.

Fluoxetine Voice: A Soothing Sound in a Fast-Paced World Ever feel like everything’s moving way too fast? The world keeps running, but all you want is to just pause for a moment. Take a breath. Close your eyes. And suddenly, you find a sound that makes everything feel calm. That’s the feeling when you listen to “I Just Need Fluoxetine Voice” by HOUSEOFJOY, an indie rock band from Indonesia. Every note feels like a comforting hug for your tired mind. 🎧 “I Just Need Fluoxetine Voice.” This isn’t just a song. It’s an escape gentle, yet penetrating. Like a voice reaching out when you need a friend the most. “I just need fluoxetine voice...” “The voice make me relax, it’s like fluoxetine voiced...” The lyrics are simple but hit deep. HOUSEOFJOY captures a universal need: the desire for peace, even if it’s just through a voice. In this ever-running world, this song is a pause. A safe space. A hug. One Song, A Million Feelings: HOUSEOFJOY Brings You Fluoxetine Voice HOUSEOFJOY, ...

Fluoxetine Voice: Suara Penawar Stres di Dunia yang Terus Berlari Pernah nggak sih kamu merasa semuanya terlalu cepat? Dunia terus berlari, tapi kamu cuma ingin diam sejenak. Tarik napas. Tutup mata. Dan tiba-tiba, kamu menemukan suara yang bikin semuanya jadi tenang. Itulah sensasi saat mendengarkan “ I Just Need  Fluoxetine Voice ” dari HOUSEOFJOY  band indie rock dari Indonesia, semua suara seperti pelukan untuk otak yang kelelahan. 🎧 “I Just Need Fluoxetine Voice.” Lagu ini bukan sekadar musik. Ini adalah pelarian yang lembut tapi menembus. Seperti sentuhan suara yang datang di saat kamu paling butuh teman. “I just need fluoxetine voice...” “The voice make me relax, it’s like fluoxetine voiced...” Liriknya sederhana, tapi langsung kena. HOUSEOFJOY berhasil menggambarkan kebutuhan yang sangat manusiawi: keinginan untuk merasa tenang, meski hanya lewat suara. Di dunia yang terus berlari, lagu ini hadir sebagai jeda. Sebuah ruang. Sebuah pelukan. Satu Lagu, Sejuta Per...

  Why Being Young Feels So Exhausting (And Why Music Is the Only Safe Escape Left) If you're in your 20s right now and life feels like a pressure-filled simulation, you’re not alone. Most of us grew up thinking our twenties would be the peak of our lives. But the reality? We’re learning to survive. Learning to accept failure. And slowly learning to forgive ourselves. In a world that’s only getting tougher and faster, music has become the last safe space left. 1. Your 20s: Where Social and Mental Pressure Hit All at Once We're expected to: Already be successful Already be financially stable Have a solid five-year life plan Meanwhile, a lot of us just finished college or never had the chance because we had to work young. Then there’s Instagram, where everyone else seems like they’ve already made it. And us? Still paying off dreams in installments while pretending we’re fine every day. 2. Music: A Safe Space That Doesn’t Ask “When Are You Getting Married...

Kenapa Hidup Sebagai Anak Muda Sekarang Bikin Capek Banget  (Dan Musik Jadi Satu-Satunya Pelarian Aman) Kalau kamu sekarang ada di usia 20-an dan ngerasa hidup kayak  simulasi penuh tekanan tenang, kamu nggak sendiri. Banyak dari kita tumbuh besar dengan harapan bahwa usia 20-an itu puncaknya hidup. Tapi realitanya? Kita lagi belajar bertahan. Belajar menerima kegagalan. Dan pelan-pelan belajar ngasih maaf ke diri sendiri. Di dunia yang makin keras dan cepat, musik jadi satu-satunya ruang aman yang masih tersisa. 1. Umur 20-an: Tekanan Sosial & Mental Datang Bersamaan Kita dituntut: Sudah sukses Sudah mapan Sudah punya rencana hidup 5 tahun ke depan Padahal banyak dari kita baru aja selesai kuliah,  atau malah belum sempat kuliah karena harus kerja dari muda. Belum lagi liat Instagram orang, seakan semua orang lain udah sampai garis finish. Sementara kita? Masih nyicil mimpi sambil pura-pura kuat tiap hari. 2. Musik: Tempat Aman yang Nggak Nanya “Kapan Nika...

Why Most Indie Bands Fail (And Why You Should Listen to HOUSEOFJOY Today) Behind every viral song, there are thousands that never get heard. Behind every flashy stage, there are small bands crawling, falling, and disappearing. This isn’t a romanticized story about struggle. It’s a harsh truth: most indie bands fail, not because they lack talent, but because the system is built to crush those who go against it. 1. Dreams Killed by Reality Many bands start with passion: jamming with friends, sharing big dreams, fueled by acoustic guitars and cigarette smoke. But how many survive when it’s time to record on their own, mix alone, promote without help, and do everything by themselves? The music industry doesn’t favor the self-made. If you’re not from a talent show or signed to a label, you’re swimming against the tide. 2. The Industry Runs on Gatekeepers and Paywalls We’ve seen it firsthand. Brilliant musicians are left out of playlists and articles because they lack connections. Some write...

Kenapa Banyak Band Indie Gagal di Tengah Jalan (Dan Kenapa Kamu Harus Dengarkan HOUSEOFJOY Hari Ini Juga) Di balik setiap lagu yang viral, ada ribuan karya yang tak pernah terdengar. Di balik gemerlap panggung, ada band-band kecil yang terseok, tumbang, dan hilang. Ini bukan cerita dongeng tentang perjuangan. Ini adalah realita: mayoritas band indie gagal, bukan karena mereka tak bertalenta, tapi karena sistemnya memang tak adil. 1. Mimpi yang Dibunuh Realita Banyak yang memulai band dengan semangat: tongkrongan, gitar akustik, dan mimpi besar. Tapi berapa banyak yang kuat bertahan ketika harus rekaman sendiri, mixing sendiri, promosi sendiri, semua serba sendiri? Industri musik tidak ramah pada yang mandiri. Kalau kamu bukan artis jebolan talent show atau anak label, kamu harus lawan ombak sendirian. 2. Industri Musik Itu Penuh Orang Dalam dan Media Bayaran Kami sudah melihatnya sendiri. Banyak musisi hebat tak pernah masuk media, tak pernah masuk playlist karena mereka tak punya kone...

  The Struggle of an Indie Band Without a Label: The Story of HOUSEOFJOY Many assume that being in a band is all about glamour: bright lights, loud music, cheering crowds, and an easy life. But our journey began quite the opposite. HOUSEOFJOY was born in a cramped, sweltering room our vocalist Dymaz Redric ’s bedroom. It wasn't a studio, not even close. Yet, that's where all our songs came to life from scratch. Imagine this: drums, sound monitors, amplifiers, guitars, microphones, cables, hard cases, even stage equipment all crammed into that tiny room. We practiced and recorded there. Preparing for gigs meant hauling equipment from Dymaz's house; his place had everything we needed. While the gear wasn't top-of-the-line, it was sufficient for rehearsals and recordings. We improvised everything—from recording techniques to emergency stage setups. Forgot a guitar strap? Iyan's belt became the substitute. Rizky's snare drum got wet? We dried it with a defogger....